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Mary S. Lovell
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'I loved every word' - Sarra Manning, Red '[A] blissful book - it's like basking in the warm Med' - Rachel Johnson, Mail on Sunday The Riviera Set is the story of the group of people who lived, partied, bed-hopped and politicked at the Château de l'Horizon near Cannes, over the course of forty years from the time when Coco Chanel made southern French tans fashionable in the twenties to the death of the playboy Prince Aly Khan in 1960. At the heart of this was the amazing Maxine Elliott, the daughter of a fisherman from Connecticut, who built the beautiful art deco Château and brought together the likes of Noel Coward, the Aga Khan, the Windsors and two very saucy courtesans, Doris Castlerosse and Daisy Fellowes, who set out to be dangerous distractions to Winston Churchill as he worked on his journalism and biographies during his 'wilderness years' in the thirties. After the War the story continued as the Château changed hands and Prince Aly Khan used it to entertain the Hollywood set, as well as launch his seduction of and eventual marriage to Rita Hayworth. 'Lovell dissects their lives and curates the interesting parts, bringing together the creme of high society. A sparkling group biography that brings to life a bygone era' - The Lady
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Tells the true story behind the gaiety and frivolity of the six Mitford daughters. The biography reveals their extraordinary lives: Nancy's doomed obsessional love; the already-married Diana's love for Oswald Moseley; and Jessica's schoolroom declaration that she was a Communist.
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When she disappeared in 1937 over a shark-infested sea, Amelia Earhart had lived up to her wish - internationally famous, a daring and pioneering aviator, and ambassador extraordinary for the United States. Married to a man with a genius for publicity, her life was crowded, demanding and adventurous. Mary S. Lovell's superb biography examines a legend to reveal the pressures and influences that drove Amelia, and shows how her life, career and manner of death foreshadowed the tragedies and excesses of a media-dominated age.
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There never was a Churchill from John of Marlborough down who had either morals or principles', so said Gladstone. From the First Duke of Marlborough - soldier of genius, restless empire-builder and cuckolder of Charles II - onwards, the Churchills have been politicians, gamblers and profligates, heroes and womanisers.The Churchills is a richly layered portrait of an extraordinary set of men and women - grandly ambitious, regularly impecunious, impulsive, arrogant and brave. And towering above the Churchill clan is the figure of Winston - his failures and his triumphs shown in a new and revealing context - ultimately our 'greatest Briton'.